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2017-2018 Season

Jesus Christ Superstar                   September 8 – October 1, 2017

Lyrics by Tim Rice                                     Auditions June 26 - 28, 2017

Music by Andrew Lloyd Webber

 

It seems especially fitting that the first rock opera, created as a concept album at the end of the turbulent ‘60s, should have at its center a social and political rebel. Jesus’ meteor-like rise in renown provides, as the title suggests, a parallel to contemporary celebrity worship. As his radical teachings are evermore embraced, Judas increasingly questions the enlightened motives of this new prophet, resulting in betrayal. Christ’s final days are dramatized with emotional intensity, thought-provoking edge and explosive theatricality. Propelled by a stirring score, by turns driving and majestic, satirical and tender, JESUS CHRIST SUPERSTAR illuminates the transcendent power of the human spirit with a passion that goes straight to the heart.

 

 

Arsenic and Old Lace                     November 3 – 26, 2017

By Joseph Kesselring                                 Auditions September 11 - 13, 2017

 

Mortimer Brewster is living a happy life: he has a steady job at a prominent New York newspaper, he’s just become engaged, and he gets to visit his sweet spinster aunts to announce the engagement. Mortimer always knew that his family had a bit of a mad gene -- his brother believes himself to be Teddy Roosevelt and his great-grandfather used to scalp Indians for pleasure -- but his world is turned upside down when he realizes that his dear aunts have been poisoning lonely old men for years! When Mortimer’s maniacal brother, Jonathan (who strangely now resembles Boris Karloff) returns on the night that the aunts were planning to bury the newest victim, Mortimer must rally to help his aunts and protect his fiancé -- all while trying to keep his own sanity. as well. An uproarious farce on plays involving murder, Arsenic and Old Lace has become a favorite amongst regional theatres throughout America.

 

 

Rapture, Blister, Burn                    January 12 – February 4, 2018

By Gina Gionfriddo                                   Auditions November 6 - 8, 2017

(Contains strong language and adult themes)

 

After grad school, Catherine and Gwen chose polar opposite paths. Catherine built a career as a rockstar academic, while Gwen built a home with her husband and children. Decades later, unfulfilled in polar opposite ways, each woman covets the other's life, commencing a dangerous game of musical chairs—the prize being Gwen's husband. With searing insight and trademark wit, this comedy is an unflinching look at gender politics in the wake of 20th-century feminist ideals.

Finalist for the 2013 Pulitzer Prize in drama.

 

 

Death of a Salesman                      March 9 – April 1, 2018

By Arthur Miller                                       Auditions January 15 - 17, 2017

 

The story revolves around the last days of Willy Loman, a failing salesman, who cannot understand how he failed to win success and happiness. Through a series of tragic soul-searching revelations of the life he has lived with his wife, his sons, and his business associates, we discover how his quest for the "American Dream" kept him blind to the people who truly loved him. A thrilling work of deep and revealing beauty that remains one of the most profound classic dramas of the American theatre.

Winner of the 1949 Pulitzer Prize and the Tony Award for Best Play.

 

 

 

A Little Night Music                          May 18 – June 10, 2018

Music and Lyrics by Stephen Sondheim        Auditions March 12 - 14, 2017

Book by Hugh Wheeler

 

Set in 1900 Sweden, A Little Night Music explores the tangled web of affairs centered around actress, Desirée Armfeldt, and the men who love her: a lawyer by the name of Fredrik Egerman and the Count Carl-Magnus Malcom. When the traveling actress performs in Fredrik's town, the estranged lovers' passion rekindles. This strikes a flurry of jealousy and suspicion between Desirée; Fredrik; Fredrick's wife, Anne; Desirée's current lover, the Count; and the Count's wife, Charlotte. Both men – as well as their jealous wives – agree to join Desirée and her family for a weekend in the country at Desirée's mother's estate. With everyone in one place, infinite possibilities of new romances and second chances bring endless surprises.

 

Winner of the 1973 Tony Award for Best Musical

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